Sausage Fattener is simple, fun, versatile, and it sounds really good. The more Fatness you add, the more the sausage will start to react and change.Ī welcome change from overwhelming studio VST plugins, with 50 knobs and 8 arpeggiators:

Sausage Fattener’s UI is probably what draws most of it’s users in. Pushing it more, will drop you into a world of crazy distortion, perfect for crushing audio tracks, or even instrument buses. Sausage Fattener excels at both subtle and more extreme saturation, working like a musical compressor, similar to the LA-2a, when added subtly.

Lastly, a small gain knob lets you compensate for the added gain coming from the saturation.

The Color adds brightness and some distortion edge to your signal, letting you customize the timbre of your saturator.

Fatness adds body and oomph to your signal, making it sound larger and more energetic.

With just 3 controls, Sausage Fattener is super easy to use. The go-to for a lot of top producers, such as Tiesto, Zedd, Diplo and more, sausage fattener is every bit as useful, as it is funny. Sausage Fattener is the brainchild of the production duo Dada Life and the plugin developer Tailored Noise.Ī humorous take on the saturation and dynamics processor, Sausage Fattener has a lot of what you want from a good saturation plugin. Our favorite saturators are definitely Soundtoys’ Decapitator and Waves’ OneKnob saturators, but there are tons of awesome ones out there, both free and paid. While a lot of saturators nowadays come with tons of features, knobs and switches to customise your signal the way you want it, the best saturators in our opinion, stick with the simpler controls. The main thing you want from a good Saturation plugin is the quality of the saturation.

If you push your saturators harder though, they will start distorting in many interesting ways, adding harmonics, crunch and texture to your audio. Slight saturation on your master bus, can excite your masters just that little bit extra. Saturation is awesome because it can be used both subtly and extremely, for different purposes. While distortion in your signal can be annoying, producers and engineers started to use this signal saturation as an effect, to add harmonic content and interest to dull audio.īefore long, saturators and signal compressors were starting to appear as standalone devices, and in the modern era of music production, VST Plugins. Pushing the convertors and gain pots to their limits would add warmth and fuzz, as well as distortion to your signal. Originally, saturation was just a side-effect of over-cranking your studio hardware. To start with, we need to know what saturation is…

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